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New York: Feminist Press at The City University of New York, 1996."Diaspora sexualities : Asian American queer video in the world system." In: Ghostlife of third cinema : Asian American film and video / Glen M. Minneapolis : University of Minnesota Press, c2009. Benshoff -- The new queer spectator / Michele Aaron. Pictures at an Exhibition." In: Arthur Penn's Bonnie and Clyde / edited by Lester D. He argues that such films signify culturally and socially regardless of whether they are watched or not; how they do this has less to do with their individual content than with a broad range of forces beyond the reach of a discipline dedicated primarily to reading films. London ; New York: Routledge, 1995."Drama Queens: Latino Gay and Lesbian Independent Film/Video." In: The Ethnic Eye: Latino Media Arts. Contreras -- New black queer cinema / Louise Wallenberg -- Nationality and new queer cinema: Australian film / Ros Jennings and Loykie Lomine -- New queer cinema and third cinema / Helen Hok-Sze Leung -- Reception of a queer mainstream film / Harry M. "The writer discusses film studies and gay pornography. "This work examines and critiques the prevalence of "performance spaces" for lesbian identities in films, evaluating how queer femaleness is signified on the screen in contemporary cinema. New York: Oxford University Press, 1988."Queer Bollywood, or 'I'm the Player, You're the Naive One': Patterns of Sexual Subversion in Recent Indian Popular Cinema." In: Keyframes: popular cinema and cultural studies / edited by Matthew Tinkcom and Amy Villarejo. Some of those East Asian film and video representations are examined. Culture and the moving image "Visible silence: spectatorship in Black gay and lesbian film." In: Representing Blackness: issues in film and video / edited with an introduction by Valerie Smith. New York: Routledge, 2002."Lesbian and gay documentary: minority self-imaging, oppositional film practice, and the question of image ethics." In: Image ethics: the moral rights of subjects in photographs, film, and television / edited by Larry Gross, John Katz, Jay Ruby. "The third body: patterns in the construction of the subject in gay male narrative film." In: The visual culture reader / edited, with introductions by Nicholas Mirzoeff. "'A Queer Feeling When I Look at You': Hollywood Stars and Lesbian Spectatorship in the 1930s." In: Multiple Voices in Feminist Film Criticism / Diane Carson, Linda Dittmar, and Janice R. Additionally it argues that by inviting mainstream audiences to read the program within familiar televisual flames, Will & Grace can be read as reinforcing heterosexism and, thus, can be seen as heteronormative." [Expanded Academic Index] Author's Abstract: "In a recent essay about gay life in Asia, Dennis Altman (1995) noted that "the past decade has seen the growth of a commercial gay world beyond its few existing bastions such as Bangkok and Tokyo to cover most of the countries of Asia." In a previous article focusing on East Asia, the author pointed out that this development is being complemented by increased film and video representation of gay men and, to a lesser extent, lesbians and other queer characters and communities. London; New York: Routledge, 1997."Imaging the Queer South: Southern Lesbian and Gay Documentary." In: Between the Sheets, in the Streets: Queer, Lesbian, Gay Documentary / Chris Holmlund and Cynthia Fuchs, editors. While homophobia in the media has become less overt in the 1990's, the ideology of heterosexism remains dominant and largely unchallenged." [America: History and Life] "Battle for Britain." (conservative backlash against recent Englishmovies; includes related article on rules forbidding intentional promotionof homosexuality) Film Comment v24, n4 (July-August, 1988):62 (7 pages).
Minneapolis, Minn.: University of Minnesota Press, c1996. "Bad Asians: new film and video by queer Asian American artists." In: Countervisions: Asian American film criticism / edited by Darrell Y. Culture and education series"Birth of a Notion: Towards Black Gay and Lesbian Imagery in Film and Video." In: Queer Looks: Perspectives on Lesbian and Gay Film and Video / editors Martha Gever, Pratibha Parmar, John Greyson. New York: Routledge, 1993."Pigs and Provos, Prostitutes and Prejudice: Gay Representation in Irish Film, 1984-1995." In: Sex, Nation, and Dissent in Irish Writing / edited by Eibhear Walshe. Oxford ; New York: Oxford University Press, 1998."What a difference a gay makes: marriage in the 1990s romantic comedy." In: Falling in love again : romantic comedy in contemporary cinema / edited by Stacey Abbott & Deborah Jermyn. Deviant Eyes, Deviant Bodies: Sexual Re-orientations in Film and Video / Chris Straayer. Indeed, as the politics of both the outmoded Confucian family and fractured Chinese nationhood intersect, what the sad young (gay) man rebels against is a political fluctuation which is no longer fixed; as the young man's opposition is no longer fixed, so too does he become alienated even from his own rebellious cause." "The gay take on 'straight' makes its way into the movies; these days heterosexuals are just as likely to be caricatured as homosexuals." The New York Times June 8, 1997 v146 s2 p H1(N) p H1(L) col 3 (51 col in) This article discusses the role of memory on homosexual identity and activism. "The Voice of Pornography: Tracking the Subject Through the Sonic Spaces of Gay Male Moving-Image Pornography." In: Keyframes: popular cinema and cultural studies / edited by Matthew Tinkcom and Amy Villarejo. Many Asian countries have reported on the enormous usefulness of the Internet not only to make queer friends, but also to question and debate sexual politics. "Toward a Butch-Femme Aesthetic." In: Making a spectacle: feminist essays on contemporary women's theatre / Lynda Hart, editor. In Asia, the specificity of "queer markings"-as an object of study caught in the tradition/modernity axis, as a site of reworked sexuality as new pop hipdom, or as ubiquitous forms of ordinary same-sex sociality-appears to be a caveat upon caveat. 1"Rough Trade: Sexual Taxonomy in Postwar America." In: Re Presenting Bisexualities: Subjects and Cultures of Fluid Desire / edited by Donald E. Queer studies in communication have profoundly neglected the salient forms of sexual and affective relatedness that find expression in the terms of intimacy that are ever-present in "friendship." Flirting against the conservative sexual culture, but flirting among ourselves, popular images of queers in Asia have taken a number of specific forms. In many film and literary representations, we find, again, the centrality of friendship life for offering gay and lesbian youth such an alternative space and relational logic for their tentative, circumlocutory, and often risky explorations.